Sorry to have been away and not posting, but Ive been a bit preoccupied trying to finish a few writing obligations and prepare for the new term. More on all that later -- including my promised post on Dinshaw/Manning. For now, however, I would like to solicit opinions on the following outline.
I noted in an earlier post that I'm composing the 5000-word entry on "queer studies" for the forthcoming Handbook of Trends in Medieval Studies (ed., Albrecht Classen). Be aware that my aim is to present something like a history or summary of scholarship on the topic, and not to discuss in detail and particular texts. That said, it does seem to me that much of the literary (and historical?) scholarship emerges around key textual artifacts: e.g., Chaucer, Roman de la Rose, Libro de Beun Amor, the Latin writings of Peter Damian and Alain de Lille. The texts, then, might be described as nodal points for the field's discursive energies. In fact, one way I've been thinking about a queer[ing] Middle Ages is as itself an aleatory point. There is something beautifully and thrillingly rhizomatic about queer medieval studies, something that reminds why I so love being a medievalist. Or, as Ive sometimes been "accused" of being, a theorist who uses the medieval as an archive -- an accusation in whose wake I would happily self-narrate. Still, this something is an aleatoriness that is irreducible to interdisciplinarity, and I'm coming to think more about the materialities of such academic undertakings. Perhaps a vitalist medievalism?
Anyway, back to my topic at hand. I do have a bibliography that I'll post soon. While I've been doing much research, reading, and summarizing -- and accepting the fact there is a necessary violence that must be done to the topic for this type of project -- I'm still trying to be as thorough (but not exhaustive) as possible. This means that I'm attempting to cover a range of sub-disciplines in medieval studies, since the intended audience of the project isn't just scholars of literature nor only English speakers.
So, I've been laboring over how to best organize the information in way that both makes sense and is helpful. Being pragmatic and economical are, of course, forefront in my mind. I'd would welcome any feedback and questions on or about the outline. I'm especially interested in knowing if anyone thinks I've missed anything glaringly obvious, and/or if anything in my section on "emerging issues" [anybody got a better subtitle?] seems not to belong. Note that some of these latter issues I've culled not only from what medievalists are writing about now but also from where certain trends in queer studies more generally are headed. In some ways, I suppose I'm availing myself of the performative rhetoric that such a section enables: my analysis of such emergent scholarly trajectories is as predicative as it is summarative.
Entry Outline
Overview [very brief]
• What this entry aims to do and its sections
• Introduce concept of sodomy
Orientations
• Boswell Thesis [project of CSTH and its reception and continued importance]
• Queer/ing [Foucault, queer theory] -- need a better subtitle
Geographies
• Whirling overview of selected scholarship for England [including Anglo-Saxon studies], France, Italy, Iberia [including Arabic/Islamic issues], Germany. The section is more heavily focused on the vernaculars, but will include certain important Latin writings (e.g., Peter Damian, Alain de Lille).
Vectors
• Nonconformities [discursive overlappings of heretics, Jews, Saracens w/ sodomites]
• Visual and Aural Cultures [scholarship from art and music]
• Law, Pedagogy, Medicine [yeah, sort of a catchall, I know]
• Godly Eros [religious desires/erotics] -- better title?
Between Women
• Historiographic issues in the study of female same-sex eroticism [I think this is important enough to deserve a separate treatment]
Emergent Issues
• Hetero/sexualities
• Temporality
• Eccentric Bodies & the Otherwise Gendered [disabilities, eunuchs, trans]
• Senses [esp., aural and olfactory erotics; fecopoetics/"waste studies"]
• Animals
• Being Alone [singleness, anti-sociality, solitude]